The Voices, Sounds & Energy Shaping The Next Wave

"Same man, same roots, same hunger — but a name that lands quicker and travels wider."

In every city there's that one artist you clock before everyone else does — the one the ends are spinning before the industry even learns the name. For Fly Money Music, that artist has been Lafta Qaranka. But by the time the world catches up, they'll be calling him something else: Bozzay.

This isn't a soft refresh or a cute rebrand. This is a statement move from a man who's always had more than one name, more than one voice, and more than one way to talk his truth. Lafta Qaranka came up as a versatile linguist, sliding between English and his mother tongue with ease, building a lane that felt bigger than one scene or one language. Where most artists pick one sound and one audience, he's been juggling both from the start — and doing it with a cold, unbothered demeanour that fits right into the Fly Money DNA.

You heard that energy loud on "Habar Jeclo" — a raw Somali drill shelling that landed on all platforms and shook anyone really listening. No watered-down crossover, no chasing trends, just pure home-language smoke over drill production, delivered like he had something to prove and nothing to lose. It was the kind of record that made Somali listeners proud and had non-Somali listeners rewinding just off energy alone.

But there's a reality to this game. As the plays grew and the conversations got bigger, one thing kept coming up: the name. For a lot of listeners outside the culture, "Lafta Qaranka" felt heavy on the tongue. They liked the music, they felt the presence, but they stumbled on the introduction. And in a world where attention is short and scrolls are fast, even something as small as pronunciation can slow momentum down.

So he did what real strategists do — he adjusted without diluting. Bozzay is the next chapter. Same man, same roots, same hunger, but a name that lands quicker and travels wider. It's not about running from where he's from; it's about making sure the music can cut through borders without listeners tripping at the first syllable. The art stays raw. The brand gets sharper.

And he's not easing into it quietly either. The next record on the way is "My Time" — and this one is straight English, no mother tongue, no mix. The snippet he dropped on socials already clocked around 20K views, and that was just a taste. No full campaign, no big label push, just a clip and a caption: "Get me to 10K & I'll drop a mixtape." That's not just promotion, that's pressure — applied back to the audience. You want more? Prove it. Run the numbers up.

That's the thing about Bozzay: he's unpredictable on purpose. One moment he's giving you raw Somali drill that sounds like concrete and smoke, the next he's bending English into tight, no-wasted-word rap that shows you he's been comfortable in both languages the whole time. A lot of people assumed the mother-tongue work was the trick and the English was the add-on. "My Time" makes it clear that's not the case. He can spin either way — and now he's choosing to lock in on an English-led wave just to show he can dominate that lane too.

Recently he's been spotted locked in studio sessions with other Fly Money Music artists, building new music behind the scenes, letting the speculation cook while the tracks do the talking in private. No constant teaser spam, no flood of half-finished ideas — just that one "My Time" snippet and silence. It feels intentional. It feels like something is loading.

Is "My Time" a single that sets the tone, or the front door to a full Bozzay project? Right now, no one outside the circle knows for sure. That's the tension. That's the fun. That's the exact kind of move an artist with real confidence makes — let the streets debate it, let the numbers talk back, and drop when it feels right instead of when the timeline demands it.

What we do know is this: a name change doesn't erase the foundation. The same man who gave you "Habar Jeclo" is now stepping out with a new badge, cleaner branding, and a wider target in sight. The dual-language flex is still in his back pocket. The Somali roots are still stamped all over his story. But this next phase is about proving he can go toe-to-toe with anyone in pure English rap and still sound like himself — no imitation, no borrowed identity.

Right now there's no official release date for "My Time." No billboard countdown, no flashy announcement. Just a growing sense that when it lands, it's going to mark the moment the rest of the world meets Bozzay properly. Until then, stay close. You'll hear it here first, inside the Fly Money Universe — where the voices, sounds, and energy shaping the next wave touch the streets before they touch anywhere else.